English

Dejla Husaković

Umine

Project

The “Umine” project is a series of three birdhouses designed for songbirds. It represents the author’s personal response to nature and her attempt to contribute to the environment by providing shelter for small creatures, while acknowledging the imbalance caused by human activity.
Each birdhouse is handmade from an adobe-like material produced from locally sourced clay soil, collected and processed by the author. All additional materials were also gathered from nature, creating a direct connection between the objects and their surroundings and making them more familiar to the birds for which they are intended.
The rounded, organic forms feature textured surfaces that reflect the making process and the properties of the material. Variations in surface treatment and openings distinguish each piece while maintaining a consistent visual language across the series.
The project emphasises craftsmanship, material exploration and a direct relationship with nature. It seeks to establish a small balance between people and the natural world through sustainable, tactile and considered design with a clear purpose and value.

Year

2025

Mentors and collaborators

Nataša Perković, Professor (mentor)
Ena Mulavdić, MSc (mentor)

Institution

University of Sarajevo, Academy of Fine Arts

Author

Dejla Husaković is a third-year Product Design student at the Academy of Fine Arts in Sarajevo. Her studies introduce her to a broad range of design approaches, from industrial production to unique, author-led expression, while allowing her to explore the relationships between concept, form, function, materials and methods of production.

She draws inspiration from nature, with which she feels a strong connection. She is particularly interested in natural materials and ways of using them that do not deplete resources but contribute positively to the environment. She regards design as a considered and responsible relationship with materials and natural resources.

Her practice focuses on experimenting with materials, textures, structures and tactile qualities. Although she works with digital tools, she is particularly drawn to direct, hands-on making, which she sees as essential to understanding materials and developing authentic solutions. Through her projects, she seeks to create sustainable and considered design with a clear concept and personal character.

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