English

G.IRL Lab: Stilski eksperimenti s glagoljicom

Eva Bakrač

Address

Prilaz Gjure Deželića 27

Duration

2-6 sati

Type of workshop

Besplatna

Workshop

G.IRL Lab: Stylistic Experiments with Glagolitic
What would the Glagolitic script look like if it had never stopped evolving? This workshop approaches Glagolitic not as a closed historical system, but as a starting point for typographic experimentation.

Building on the project G.IRL 25, the workshop begins with a short introduction to lesser-known letterforms and stylistic features of the Glagolitic script. Participants are then invited to explore its hidden potential through contemporary or unconventional styles, tools, and media of their choice. Each participant will create their own interpretation of a letter or word, imagining how Glagolitic might exist in a parallel present in which it continued to develop.

Rather than reconstructing history, the workshop creates a time-space pocket in which Glagolitic can be freely deformed, reinterpreted, and translated into new visual languages. It becomes a space for play, experimentation, and design inquiry into the boundaries of script and visual communication.

About the G.IRL 25 project
G.IRL 25 (Glagoljica In Real Life) is a project by designer Eva Bakrač that brings together a series of Glagolitic micro-uses, typographic simulations, and snapshot documentation from a parallel present in which Glagolitic has taken over the role of the Latin alphabet. The project received an award at the DA! Festival and was nominated for the annual School of Design award. It functions as a visual essay with a clear stance, questioning whether our everyday experience of Glagolitic is far removed from its actual potential.

Author

G.IRL Lab: Stylistic Experiments with Glagolitic Script

This free workshop is intended primarily for designers who already possess a basic stylistic and typographic vocabulary. Its planned duration is between two and six hours, and it is led by designer Eva Bakrač.

Following a short introduction to lesser-known Glagolitic letterforms and stylistic features, participants will select a letter or word and develop their own interpretation using contemporary or unconventional styles, tools and media of their choice. The aim is not historical reconstruction, but typographic experimentation that tests Glagolitic as a living communication tool.

The workshop builds on G.IRL 25 (Glagoljica In Real Life), Eva Bakrač’s project exploring how Glagolitic might function if it had continued to exist as an everyday script through micro-uses, typographic simulations and scenarios from a parallel present. The project received an award at the DA! Festival and was nominated for the School of Design Annual Award.

ORGANISER
PARTNERS
SPONSORS
MEMBER OF